Since the last time I visited the Hirshhorn Museum in D.C. a few years ago, which was the first time I’d been since I was maybe seven years old, one work of art has remained fixated in my mind and left within me a lasting, emotional impression.
Big Man, by Ron Mueck, is a larger-than-life sculpture of a round, hunched, naked, scowling man. In person, I found him to be breathtaking. He bears a look of tired frustration across his brow and jaw, and fleshy curves across his abdomen. His skin is wrinkled, dimpled, and splotched.